The same is true for Laxus Dreyar, another blonde, the pink-haired Natsu Dragneel and pretty much everyone with brighter hair colors. Her hair went from highlighter yellow to a softer blonde color in the second series. Satelight favored bright, almost neon colors for everything from hair to clothes, while Studio Bridge opted for more muted, softer colors that were less "Saturday morning anime." This is especially noticeable with Lucy Heartfilia, who's inherently a colorful character, from her blonde hair and hair ribbons to her many stylish outfits. This also makes the magic system look less gimmicky, and keeps the spells from all looking the same.Įven Studio Bridge's color palette differed from Satelight's. Studio Bridge, by contrast, did away with them entirely when it came to Natsu, creating a less cluttered visual. Often, Natsu would simply smash his fists together, and a magic circle would inexplicably pop up. Obviously, heavy-duty spells like Unision Raid and Urano Metria called for them, but Gray's small-scale ice attacks and Natsu's fire abilities.not so much. While magic circles are common in fantasy series, Satelight arguably overdid it, using them in places circles didn't even belong. The studio also liberally used the "magic circle" visual cue - glowing, floating runes that formed elaborate circles as spells charged up. For example, Satelight used wide-angle shots for just about everything and even obviously reused animation in fight scenes. Things changed again from Satelight to Studio Bridge when it came to visual cues. Messing with character designs is the surest way to draw fan ire, but when characters end up looking younger, older, tougher or thinner than they should, a certain degree of it might be justified. These changes were undone when Studio Bridge took over for Fairy Tail's second season, where everyone more closely resembled their manga iterations. Characters like Lucy had slightly different facial shapes and designs, and Lucy's face in particular was rounder than in the manga, while Erza was bulkier.
Hiro Mashima's art set the mold for what Fairy Tail's world should look like, though Satelight strayed from that path as well. Many of the biggest changes between Satelight and Studio Bridge concerned, unsurprisingly, the anime's visuals. RELATED: From Earthsea to Earwig, Miyazaki's Son, Goro, is Ghibli's Riskiest Director Satelight Unnecessarily Altered Fairy Tail's Visuals That's one reason to favor a change of animation studios. The second studio, Studio Bridge, did not do this. In small ways, characters like her end up slightly warped. Of course, fans can simply skip over filler episodes and thus avoid strange additions like this, but all the same, it stands out as an odd choice that muddles whatever Hiro Mashima, Fairy Tail's creator, might have meant to convey with Lisanna's character.
Satelight gave her a larger role compared to the manga, including in filler episodes playing up Lisanna's possible romantic involvement with Natsu. Take, for example, supporting character Lisanna Strauss, a Fairy Tail guildmember. But while nearly all of Fairy Tail's story arcs and big moments made it into the anime, the series' first studio, A-1 Pictures Satelight, took some unnecessary liberties with certain characters or events.
#FAIRY TAIL EPISODES 23 TV#
TV rules tend to be more strict, often resulting in some noticeable content edits, such as a wound going from bleeding in the original to bruised in the adaptation, for example. When adapting a series, it's up to the animators to faithfully recreate the original material in a manner suited to the medium, in this case, TV.
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